[PLATEFORM]
Project_01
Music is a space for collective experimentation, where artists, producers, designers, and organizers shape a constantly evolving culture. Yet, traditional structures, often hinder this process with rigid and elitist barriers. This platform revolutionizes the creation and distribution of techno by fostering free and transparent collaboration. Here, a producer can share a track, an artist can remix it, a designer can enhance its visual identity, a videographer can create its universe, and an organizer can discover new talent.
Far from hierarchical models, Plateform put sharing and collective evolution at the heart of creativity. This project embodies a freer, more organic, and open techno, where everyone contributes to shaping the future of music, without commercial constraints.
[8AM IN THE CLUB]
Project_02_Research
This thesis explores the paradox of rave culture, spaces initially conceived as places of freedom and emancipation that can, in reality, lead to excess, social pressure, and isolation. Based on interviews with DJs, participants, and event organizers, the research examines how the pursuit of escape, often driven by drug use, implicit social norms,
and increasing commercialization, can result in a loss of identity and the reproduction of consumerist behaviors. Despite these contradictions, raves remain spaces for personal expression and exploration.
The thesis calls for a critical rethinking of the rave experience in order to preserve its authenticity and foster a more inclusive, responsible, and respectful culture that stays true to its original values. In addition to conducting the research and analysis, I personally designed and structured the layout of the thesis, aiming to visually reflect its themes and create a reading experience aligned with the subject matter.
[RAVEMORE]
Project_03_Freelance
As a graphic designer at Ravemore Berlin, I contribute to shaping and expanding the brand’s visual identity across various mediums. My role involves the creation of
visuals for clothing collections, including graphics, prints, and layout design. I also handle photo and video edits, ensuring a coherent aesthetic across all media. In addition to production work, I develop content for social media and promotional materials, helping to maintain a strong, recognizable presence both online and offline. My focus is on building a consistent and evolving visual language that reflects Ravemore's creative direction, blending fashion, underground culture, and electronic music. Through this work, I help translate Ravemore’s energy into visuals that speak across formats, from textiles to screens.
[BERLIN CRACKHEADZ]
Project_04
This project explores the creative possibilities of Risograpgy printing, an experimental technique that blends digital design with analog reproduction. By layering vibrant inks and embracing the imperfections of the process, the project investigates how color overlap, texture, and misregistration can become expressive tools. The goal is not to achieve perfect prints, but to reveal the beauty of unpredictability and the tactile quality unique to Risography.
[ORGAN]
Project_05
The emotional and physical impact of electronic music goes far beyond sound, it’s a visceral experience that resonates through body, mind, and crowd. What completes this universe is its visual identity, the translation of sound into symbols, color, rhythm, and form. Visual design in music is never neutral; it shapes perception, builds memory, and moves us before the first note plays. From posters to album covers and illuminated stages, it forms the emotional architecture of musical experience. Organ embraces this connection between design and sound, visuals as language, not decoration, echoing the same pulse and emotion as the music itself.
[COVER SERIES]
Project_06
Building on this connection between sound and image, I explored how my own graphic vision could translate the world of music. Through a series of experimental reinterpretations of album covers and merchandise, I questioned how visual identity can shift meaning, mood, and memory. Each piece became a dialogue between existing musical symbols and my personal aesthetic. A way to rethink how design can echo rhythm, emotion, and cultural energy.
[RÉMINISCENCE]
Project_07
As part of a collaborative workshop, I participated in the creation of an exhibition titled Réminiscence. The aim of the workshop was to design and curate a temporary exhibition from concept to installation. Our group explored the themes of life, destruction, and regeneration, drawing inspiration from current environmental and societal issues. We developed a visual scenography centered around an abstract tree structure, both fragile and resilient, symbolizing the cycle of life and echoing the challenges of our time. The installation was enhanced by a projection mapping sequence, which brought the piece to life through evolving light and motion, reinforcing the narrative of transformation and rebirth. Through Réminiscence, we sought to create an immersive and reflective experience that invites viewers to question the state of the living world and our place within it.
[PRESENTATION]
Project_08_Freelance
As part of my design practice, I worked on the layout of a medical thesis, focusing on clarity, structure, and readability. The goal was to translate complex scientific content into a coherent and accessible visual form. Through careful typographic choices, hierarchy, and spatial organization, I aimed to create a publication that balances academic rigor with visual harmony, where design serves knowledge and enhances understanding.